This man and music

When I was young, my father dutifully paid the family bills in a small enclosed porch opening off the bedroom he shared with my mother in our house in Lexington, Massachusetts. There was just enough room for a secretary, a chair, a narrow bookcase, and two filing cabinets. On the shelves behind the glass doors of the secretary he kept memorabilia: a 1961 Ford Thunderbird he’d made from a plastic model kit and painted cherry-red when my brother and I were toddlers (anticipating, he once told me, the father-son model making to come); a home run baseball he’d got his hands on from inside the scrum when it rolled under the bleacher seats in an Orioles game in the 1950s; a kaleidoscope; a prism; a beautiful old ivory Keuffel & Esser sliderule from his graduate school days; The Bluejacket’s Manual. On the outside of one of the doors, tucked between the glass and a fake mullion, was a photograph taken of him while he was in the U.S. Navy:

Sun-damaged old photograph of Louis Alton Hall in Navy seaman's uniform on a Chicago street in 1946, counting change in his palm

I regret the damage, which is all my fault. I’ve loved that photograph ever since I was a small child, and after my father died and I inherited his secretary, I made sure to slip the picture into its old place, by way of a memorial. But I neglected to consider that the room in which I keep the secretary, unlike my father’s old cubby-hole, gets a lot of direct sunlight.

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My dad and the Nobel Prize

In my novel The Stone Loves the World, the character Vernon is based on my father, with some differences. For example, whereas Vernon worked at RAND from 1956-58, my father spent those years teaching undergraduate physics at his alma mater, Wake Forest College. Unlike Vernon, my father never worked in nuclear physics or nuclear bomb design. Like Vernon, he spent the bulk of his career analyzing the interaction of ultraviolet light with the Earth’s upper atmosphere. He published papers with titles such as, “Solar Extreme Ultraviolet Photon Flux Measurements in the Upper Atmosphere of August 1961,” and “Diurnal Variation of the Atmosphere around 190 Kilometers Derived from Solar Extreme Ultraviolet Absorption Measurements,” and “Solar Ultraviolet Irradiance at 40 Kilometers in the Stratosphere.” He was known for his talent for building the spectrometers to be used in his flights, and for his extreme meticulousness in calibrating them in the lab beforehand.

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HO train set

Sure, we had one. My siblings and I got it when I was maybe eight. We had just enough tracks to make an oval with a siding, or a figure eight. We had a New York Central engine and a coal car, a boxcar loaded with finest quality Lehigh portland cement, a tanker carrying hydrocarbon rocket fuel (how cool is that?) and, of course, a red, red caboose.

Being the family nerd and control freak, I was the one who mainly played with it. From plastic model kits I made farm buildings, mills, depots, factories, stations. I didn’t go in much for houses. I couldn’t construct a landscape—I assembled the tracks and dispersed the buildings on the pinewood floor of an upstairs hall and always had to put everything back in boxes when I was done, because of foot traffic. I never made up stories about the workers or the train passengers, I just arranged the buildings in different configurations, then drove my Matchbox cars down the notional streets. (Later, I turned into a novelist attentive to structure and weak on plot.)

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A music playlist for The Stone Loves the World

Largehearted Boy is a marvelous site where authors are asked to create a music playlist for their books, accompanied by a paragraph or two explaining the reason for each selection.  Links are provided to the relevant recordings.  It’s hugely fun to wander around the site, discovering what music has inspired which writer for whatever reason.  I provided a list for The Stone Loves the World, and you can access it here.